R. Mertens
  • Home
  • Bio
  • Art
    • 2021-Current
      • Never-Ending Thread
      • SAAC Residency 2024
      • Embracing Entropy
      • Preservation Figures
      • Exhibition: In Conversation
      • Workhouse Arts Center: VMFA Futures 2023
      • Exhibition at Burren College of Art 2023
      • FAF 2023
      • Art-In-Place Exhibition
      • Trawick Prize Exhibition
      • 2021 Exhibition at Mary Baldwin University Hunt Gallery
    • 2015-2020
      • Staunton Augusta Art Center: 40 Years of Excellence 2020
      • Solivagance
      • Between Historicity and History of the Limestone Vernacular
      • Broken Conduit Theory and Parasitic Sounds
      • Unreconcilable Fascinations
      • Recollecting Time
      • Traces and Detritus: Visual Echos/ various JMU Exhibitions
      • Textiles in the Expanded Field
      • Exhibition in Motion/The Silence of Looping
      • The Paradoxical Acousmetre At the Arlington Art Center
      • Reminscions, Mediations and Premonitions
      • Mad Theory 2: A Performance Philosophy Symposium
      • Extreme Fibers: Textile Icons and the New Edge
      • Nothing from Something At Truman State University; Kirksville, MO
    • Before 2015
      • Encryption Cloth
      • Masks and Masking
      • Lectric Schematics
      • A Tale of Conductance
      • BAM 2012 Biennial High Fiber Art
      • Post-Apocalyptic Sacra
  • Video Documentation
  • The Weaving Room Recordings
  • CV
  • Instagram
  • Textile Design Shop
  • Artwork Shop
  • Contact
R. Mertens
  • Home
  • Bio
  • Art
    • 2021-Current
      • Never-Ending Thread
      • SAAC Residency 2024
      • Embracing Entropy
      • Preservation Figures
      • Exhibition: In Conversation
      • Workhouse Arts Center: VMFA Futures 2023
      • Exhibition at Burren College of Art 2023
      • FAF 2023
      • Art-In-Place Exhibition
      • Trawick Prize Exhibition
      • 2021 Exhibition at Mary Baldwin University Hunt Gallery
    • 2015-2020
      • Staunton Augusta Art Center: 40 Years of Excellence 2020
      • Solivagance
      • Between Historicity and History of the Limestone Vernacular
      • Broken Conduit Theory and Parasitic Sounds
      • Unreconcilable Fascinations
      • Recollecting Time
      • Traces and Detritus: Visual Echos/ various JMU Exhibitions
      • Textiles in the Expanded Field
      • Exhibition in Motion/The Silence of Looping
      • The Paradoxical Acousmetre At the Arlington Art Center
      • Reminscions, Mediations and Premonitions
      • Mad Theory 2: A Performance Philosophy Symposium
      • Extreme Fibers: Textile Icons and the New Edge
      • Nothing from Something At Truman State University; Kirksville, MO
    • Before 2015
      • Encryption Cloth
      • Masks and Masking
      • Lectric Schematics
      • A Tale of Conductance
      • BAM 2012 Biennial High Fiber Art
      • Post-Apocalyptic Sacra
  • Video Documentation
  • The Weaving Room Recordings
  • CV
  • Instagram
  • Textile Design Shop
  • Artwork Shop
  • Contact
© ROBERT MERTENS
Website by OtherPeoplesPixels

Art > Before 2015

Encryption Cloth
Encryption Cloth
Encryption Cloth
Masks and Masking At Woodpecker Gallery in OR.
Masks and Masking 
At Woodpecker Gallery in OR.
Masks and Masking
At Woodpecker Gallery in OR.
Lectric Schematics
Lectric Schematics
Lectric Schematics
A Tale of Conductance At the Eugene Contemporary Art Residency
A Tale of Conductance 
At the Eugene Contemporary Art Residency
A Tale of Conductance
At the Eugene Contemporary Art Residency
BAM 2012 Biennial High Fiber Art
 BAM 2012 Biennial High Fiber Art
BAM 2012 Biennial High Fiber Art
Exhibition Self Calibration Disjecta Gallery Portland OR
Exhibition Self Calibration
Disjecta Gallery Portland OR
Exhibition Self Calibration
Disjecta Gallery Portland OR
© ROBERT MERTENS
Website by OtherPeoplesPixels