R. Mertens
  • Home
  • Bio
  • Art
    • 2021-Current
      • Never-Ending Thread
      • SAAC Residency 2024
      • Embracing Entropy
      • Preservation Figures
      • Exhibition: In Conversation
      • Workhouse Arts Center: VMFA Futures 2023
      • Exhibition at Burren College of Art 2023
      • FAF 2023
      • Art-In-Place Exhibition
      • Trawick Prize Exhibition
      • 2021 Exhibition at Mary Baldwin University Hunt Gallery
    • 2015-2020
      • Staunton Augusta Art Center: 40 Years of Excellence 2020
      • Solivagance
      • Between Historicity and History of the Limestone Vernacular
      • Broken Conduit Theory and Parasitic Sounds
      • Unreconcilable Fascinations
      • Recollecting Time
      • Traces and Detritus: Visual Echos/ various JMU Exhibitions
      • Textiles in the Expanded Field
      • Exhibition in Motion/The Silence of Looping
      • The Paradoxical Acousmetre At the Arlington Art Center
      • Reminscions, Mediations and Premonitions
      • Mad Theory 2: A Performance Philosophy Symposium
      • Extreme Fibers: Textile Icons and the New Edge
      • Nothing from Something At Truman State University; Kirksville, MO
    • Before 2015
      • Encryption Cloth
      • Masks and Masking
      • Lectric Schematics
      • A Tale of Conductance
      • BAM 2012 Biennial High Fiber Art
      • Post-Apocalyptic Sacra
  • Video Documentation
  • The Weaving Room Recordings
  • CV
  • Instagram
  • Textile Design Shop
  • Artwork Shop
  • Contact
R. Mertens
  • Home
  • Bio
  • Art
    • 2021-Current
      • Never-Ending Thread
      • SAAC Residency 2024
      • Embracing Entropy
      • Preservation Figures
      • Exhibition: In Conversation
      • Workhouse Arts Center: VMFA Futures 2023
      • Exhibition at Burren College of Art 2023
      • FAF 2023
      • Art-In-Place Exhibition
      • Trawick Prize Exhibition
      • 2021 Exhibition at Mary Baldwin University Hunt Gallery
    • 2015-2020
      • Staunton Augusta Art Center: 40 Years of Excellence 2020
      • Solivagance
      • Between Historicity and History of the Limestone Vernacular
      • Broken Conduit Theory and Parasitic Sounds
      • Unreconcilable Fascinations
      • Recollecting Time
      • Traces and Detritus: Visual Echos/ various JMU Exhibitions
      • Textiles in the Expanded Field
      • Exhibition in Motion/The Silence of Looping
      • The Paradoxical Acousmetre At the Arlington Art Center
      • Reminscions, Mediations and Premonitions
      • Mad Theory 2: A Performance Philosophy Symposium
      • Extreme Fibers: Textile Icons and the New Edge
      • Nothing from Something At Truman State University; Kirksville, MO
    • Before 2015
      • Encryption Cloth
      • Masks and Masking
      • Lectric Schematics
      • A Tale of Conductance
      • BAM 2012 Biennial High Fiber Art
      • Post-Apocalyptic Sacra
  • Video Documentation
  • The Weaving Room Recordings
  • CV
  • Instagram
  • Textile Design Shop
  • Artwork Shop
  • Contact
© ROBERT MERTENS
Website by OtherPeoplesPixels

2021-Current > Art-In-Place Staunton 2022

Artifact series
Artifact series
2022
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© ROBERT MERTENS
Website by OtherPeoplesPixels
Artifact series