R. Mertens
  • Home
  • Portfolio
    • Recollecting Time
    • Traces and Detritus: Visual Echos/ various JMU Exhibitions
    • Textiles in the Expanded Field
    • Exhibition in Motion/The Silence of Looping
    • The Paradoxical Acousmetre At the Arlington Art Center
    • Reminscions, Mediations and Premonitions
    • Mad Theory 2: A Performance Philosophy Symposium
    • Extreme Fibers: Textile Icons and the New Edge
    • Nothing from Something At Truman State University; Kirksville, MO
    • Lectric Schematics
    • Encryption Cloth
    • Masks and Masking
    • A Tale of Conductance
    • BAM 2012 Biennial High Fiber Art
    • Post-Apocalyptic Sacra
  • Process/Research
  • The Weaving Room Recordings
  • Contact
  • Links
  • Performance Documentation
  • CV
R. Mertens
  • Home
  • Portfolio
    • Recollecting Time
    • Traces and Detritus: Visual Echos/ various JMU Exhibitions
    • Textiles in the Expanded Field
    • Exhibition in Motion/The Silence of Looping
    • The Paradoxical Acousmetre At the Arlington Art Center
    • Reminscions, Mediations and Premonitions
    • Mad Theory 2: A Performance Philosophy Symposium
    • Extreme Fibers: Textile Icons and the New Edge
    • Nothing from Something At Truman State University; Kirksville, MO
    • Lectric Schematics
    • Encryption Cloth
    • Masks and Masking
    • A Tale of Conductance
    • BAM 2012 Biennial High Fiber Art
    • Post-Apocalyptic Sacra
  • Process/Research
  • The Weaving Room Recordings
  • Contact
  • Links
  • Performance Documentation
  • CV
© ROBERT MERTENS
Website by OtherPeoplesPixels

Portfolio > A Tale of Conductance At the Eugene Contemporary Art Residency

Deadtech Shrine, Detail
Deadtech Shrine, Detail
2013
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© ROBERT MERTENS
Website by OtherPeoplesPixels